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With the way the characters' wardrobes enhance Jan Kiesser's bold cinematography, this scene proves how much Fletcher's work made "Fright Night" the beloved vampire classic it is today

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There's a glittering tulle overskirt which covers most of the bottom, with a small opening in front that's accented on either side with curled ribbons and small flowers: The dress closes in back with velcro and has no train: I love the ribbon trim on the bottom of the overskirt

The basque waistline shapes and frames the full ball gown skirt, while the floral glitter fabrics create an ultimate sparkle effect