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After all, not too many occasions in life allow for feathers, so you might as well rock them when you can

Although filmed in black and white, Rogers was skilled in recognizing how colors were depicted on film, as she clearly described in the design process of her blue feather dress for Top Hat (1935): Its funny to be discussing color when youre making a black-and-white film, but the tone had to be harmonious. The dramatic and alternating tones of red and white in the 1959 Tender Shoot costume also contrasted harmoniously on screen

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This era seems to represent refresh and rebirth for Taylor, which perfectly coincides with her use of pastel hues