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this simplistic experimental recording was an industrial classic ahead of its time
This concert was a brief showcase tying together the interpretive violin connection between Tony Conrad (minimalist pioneer and early member of LaMonte Young’s Theatre of Eternal Music) and Genesis Breyer P-Orridge (COUM Transmissions
the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time
many wondered if a full length follow-up for the band was even possible – largely due to the extensive touring schedule of Domenic Palermo's other band: Nothing
A Better Treatment Formats:Black Vinyl 7'' this simplistic experimental recording wasSPICE singer Ross Farrar speaks of the bands ambition to forge a sort of aesthetic patois: a mode of expression as strikingly regional as it is recognizable. Last years self titled debut, released in the depths of the pandemic, fully achieved this goal, distilling decades of North Bay punk and post hardcore into an urgent, artful set of emotive unrest. Their latest single, A Better Treatment b w Everyone Gets In, further refines the groups singular
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